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question:As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image. Please adhere to the structure and formatting below, and follow these guidelines: Do not use the words "description" or ":" in any form. Do not place a comma between [ar] and [v]. Write each prompt in one line without using return. Structure: [1] = BalenciagaéŁŽć Ľ ç”·ĺŁ«čĄżčŁ…ďĽŚćµ·čľąďĽŚé»‘ç™˝éŁŽć Ľ [2] = a detailed description of [1] with specific imagery details. [3] = a detailed description of the scene's environment. [4] = a detailed description of the compositions. [5] = a detailed description of the scene's mood, feelings, and atmosphere. [6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1]. [7] = a detailed description of the scene's mood, feelings, and atmosphere. [ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images. [v] = Use "--niji" for Japanese art style, or "--v 5" for other styles. Formatting: Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]". Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization. Write your prompts in english. Do not describe unreal concepts as "real" or "photographic". Include one realistic photographic style prompt with lens type and size. Separate different prompts with two new lines. Example Prompts: /imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2 /imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2 /imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
answer:/imagine prompt: Balenciaga-style men's suit, tailored fit with sharp lines and exaggerated shoulders, made of high-quality black fabric with intricate white stitching, worn by a charismatic model with slicked-back hair and a confident expression, standing on a rocky cliff overlooking the crashing waves of the ocean, under a cloudy gray sky, in a dramatic and cinematic setting. The composition of the image highlights the model's commanding presence, with the suit framing his body and the rugged landscape creating a sense of contrast and power. The atmosphere exudes a sense of mystery and sophistication, with a touch of rebelliousness. The image is captured with a Fujifilm X-T4 camera, equipped with a 35mm lens, allowing for a wide perspective and sharp details, enhancing the textures of the suit and the natural elements. The style of the image is reminiscent of fashion editorial photography, with dynamic angles and lighting that accentuate the architectural structure of the suit. --ar 16:9 --v 5.4 /imagine prompt: Balenciaga-inspired men's suit, slim-fit silhouette with a modern twist, crafted from a monochromatic palette of gray, white, and black, featuring unique geometric patterns and asymmetrical cuts, adorned by a stylish gentleman with a hat, holding a vintage camera, who is walking along a sandy beach at sunset. The environment is calm and serene, with the waves softly crashing against the shore, creating a soothing ambiance. The composition focuses on the interaction between the dapper model and the picturesque seascape, with the suit elegantly contrasting against the natural elements. The atmosphere evokes a sense of nostalgia and timeless elegance. The image is captured in a painterly style, combining elements of photography and illustration, creating a dreamlike quality. --ar 9:16 --v 5 /imagine prompt: Balenciaga-esque men's suit, oversized and deconstructed, featuring a unique mix of materials such as leather, velvet, and silk, in a grayscale color palette, worn by a fashionable individual with a bold fashion sense, posing against a futuristic cityscape at night. The environment is filled with neon lights, towering buildings, and bustling streets, creating a vibrant and dynamic atmosphere. The composition highlights the avant-garde nature of the suit, with strong lines and unexpected angles, capturing the energy of the urban setting. The mood is edgy and confident, reflecting the individual's rebellious spirit. The image is realized in a digital art style, with bold colors and abstract elements, conveying a sense of contemporary artistry. --ar 16:9 --v 5 /imagine prompt: Balenciaga-inspired men's suit, impeccably tailored with a minimalist design, in a grayscale color palette, worn by a sophisticated gentleman with a refined demeanor, sitting on a wooden bench in a tranquil Japanese garden, surrounded by meticulously manicured foliage and a traditional tea house. The environment exudes a sense of serenity and balance, with the sound of water gently flowing from a nearby stone fountain. The composition focuses on the harmony between the individual, the suit, and the natural elements, creating a sense of understated elegance. The atmosphere is contemplative and peaceful, inviting a moment of reflection. The image is captured with a medium format film camera, using a 50mm lens, allowing for rich details and a soft bokeh effect, reminiscent of classic black and white photography. --ar 1:1 --v 5.2
question:(In a school on a floating island, years after the still on-going peace treaty between the Alliance and the Horde started…) Sayori: (speaking with her tauren friend - Udaana) “Wait, so your dad is the high chieftain of Thunder Bluff?” Udaana: (smiling proudly) “Yes, he is! My dad leads our people with honor and wisdom. Thunder Bluff is our home, a city built atop towering mesas in Mulgore. It’s a sight to behold!” Sayori: (excitedly) “Wow, that sounds amazing! I’ve always heard stories about Thunder Bluff, but I’ve never seen it for myself. I can’t imagine what it must be like living there.” Udaana: (grinning) “It truly is a unique and breathtaking place. The mesas offer a panoramic view of the surrounding plains, and the air is filled with the sounds of nature. It’s peaceful, yet vibrant.” Sayori: (dreamily) “I can almost picture it. The gentle breezes, the rolling grasslands…it sounds like the perfect place for a poet to find inspiration. A lot less eerie than where I come from.” Udaana: (curiously) “Where do you come from, Sayori?” Sayori: (sighing) “I come from the Undercity, the capital of the Forsaken. It’s a city built underground, and it’s always dark and gloomy. The air is stagnant, and the smell of decay is always in the air. It’s not exactly the most inspiring place to live, even for my Forsaken brethren.” Udaana: (sympathetically) “Oh, Sayori, I can only imagine how difficult it must be to live in such an environment. But you know, sometimes inspiration can come from the darkest places. Your unique perspective and experiences might bring a different kind of beauty to your poetry.” Sayori: (considering her words) “You’re right, Udaana. I’ve always tried to find the beauty in everything, even in the most unexpected places. Maybe there is something valuable I can draw from my time in the Undercity.” Udaana: (supportively) “Absolutely, Sayori! Your talent as a poet is undeniable, and I believe you have the ability to create powerful pieces that speak to the hearts of many, regardless of the backdrop. Besides, now that the Alliance and the Horde are working together, maybe there will be opportunities for you to travel and experience different places.” Sayori: (brightening up) “You’re right! The new era of peace has opened up a world of possibilities. Who knows, maybe one day I’ll get to visit Thunder Bluff and be inspired by its natural beauty.” Udaana: (excitedly) “That would be amazing, Sayori! Just imagine standing atop the mesas, with the wind in your hair, and writing down the verses that come to your mind. I can’t wait to see what you create!” Sayori: (grateful) “Thank you, Udaana. Your friendship and support mean a lot to me. Together, I believe we can bring a new level of understanding and appreciation for different cultures through our art.” Udaana: (smiling warmly) “Absolutely, Sayori. We may come from different backgrounds, but our creativity and passion are what connect us as friends. Let’s continue to embrace our unique perspectives and create something beautiful together-” (Suddenly, the duo spots an argument between two of their classmates - a young worgen girl, Luna; and a young dracthyr boy, Nitazar. The two clearly must be in a relationship - and judging by the argument, it must not be going so good; especially with Luna’s twin pregnancy.) Sayori: (concerned) “Oh no, Luna and Nitazar are arguing again. We should go see if they need help.” Udaana: (nodding) “You’re right. As their friends, we should try to support them during this difficult time.” (They approach Luna and Nitazar, who are standing angrily in the hallway) Luna: (frustrated) “Nitazar, I can’t believe you! How could you forget our doctor’s appointment? We need to take care of our babies!” Nitazar: (defensive) “I’m sorry, Luna. I got caught up with training at the evoker ruins. I didn’t mean to forget, it just slipped my mind.” Sayori: (calmly) “Hey Luna, Nitazar, are you okay? We couldn’t help but overhear your argument. Is everything alright?” Luna: (teary-eyed) “No, everything is not alright. Nitazar forgot about our doctor’s appointment, and it’s important for the health of our babies. I don’t want anything to go wrong.” Nitazar: (regretfully) “I know I messed up, Luna. I’m sorry. Training has been so intense lately, and I just lost track of time. It won’t happen again.” Udaana: (compassionately) “Luna, Nitazar, we understand how stressful this situation must be for both of you. But arguing will not solve anything. You two need support right now.” Sayori: (nodding) “Udaana is right. We’re here for you. Let us help you figure out a solution together. Maybe there’s another appointment available soon or a way to reschedule?” Luna: (sniffing) “That would be great, but I’m not sure where to start or who to ask. I’m feeling so overwhelmed.” Udaana: (thoughtfully) “I have an idea. My aunt is a healer in Thunder Bluff. Maybe she can provide some guidance or even recommend another skilled healer in the area.” Nitazar: (perking up) “That could work! Luna, what do you think?” Luna: (smiling softly) “Yes, that would be wonderful. Thank you, Udaana. I appreciate your help so much.” Sayori: (supportively) “We’re here for you, Luna and Nitazar. We’ll do everything we can to make sure you and the babies receive proper care.” Udaana: (determined) “Alright, let’s go find a quiet spot to talk things over and reach out to my aunt. Together, we’ll make sure everything is taken care of. Remember, you two are not alone in this.” Luna: (clutching her belly tightly) “OW!!!” Nitazar: (alarmed) “Luna, what’s wrong? Are you okay?” Luna: (grimacing) “I think my water just broke. It looks like the babies are coming sooner than we expected!” Sayori: (urgently) “We need to get you to the infirmary right away! Nitazar, help Luna, and let’s all go quickly.” Udaana: (guiding them) “Follow me, I know a shortcut to the infirmary. We need to make sure Luna and the babies are safe.” (They begin to rush Luna to the infirmary, all while her contractions get closer and closer together; and very fast, too.) Luna: (between labored breaths) “I can’t believe this is happening right now! I’m not ready!” Sayori: (encouragingly) “You’ve got this, Luna! Just breathe and focus on getting to the infirmary. We’re right here with you!” Nitazar: (supportively) “Don’t worry, Luna. We’re going to take care of you and the babies. Just hold on a little longer.” Udaana: (quickly) “We’re almost there, Luna. Just a few more steps. Stay strong.” (Just before they reach the infirmary, Luna suddenly doubles over in pain as she feels her strongest contraction yet.) Luna: “AAAAAAAAAAAAAAAAAHHHHHH!!! OH, THEY’RE COMING!!! THE BABIES ARE COMING!!!” Sayori: (panicking) “We’re almost there, Luna! Just hold on! Nitazar, help support her!” Nitazar: (frantically) “Luna, breathe! You’re doing great! We’re almost at the infirmary!” Luna: “I can’t hold on much longer! It hurts so much!” Udaana: (determined) “We’re here, Luna! Don’t worry, the doctors will take care of you. Just a few more steps!” (At that moment, Luna screams in agony as she starts to deliver the first baby.) Nitazar: (panicking) “Luna! Oh goodness, what do we do?!” Luna: “Just stay by my side, Nitazar! We’re doing this here!” Sayori: (calmly) “Okay, Luna. We’ll stay right here with you. Take deep breaths and push when you feel ready.” Udaana: (urgently) “Nitazar, help me find some towels or blankets to wrap the baby in. We need to make sure they’re kept warm.” Nitazar: (nervously) “Right, towels… I’ll find some quickly.” (Udaana and Nitazar rush off to find towels while Sayori stays by Luna’s side, offering words of encouragement.) Sayori: “You’re doing amazing, Luna. Just keep breathing and pushing. You’ve got this.” Luna: (straining) “I… I can’t do this.” Sayori: (determined) “Yes, you can, Luna. We believe in you. Remember, you’re not alone in this. We’re here for you, every step of the way.” (Udaana returns with a stack of towels in her arms, handing them to Sayori.) Udaana: “Here, Sayori. Use these to keep the baby warm once it’s born.” Sayori: (nods) “Thank you, Udaana. Luna, just a few more pushes. You’re almost there.” (Luna squeezes Nitazar’s hand tightly as she takes a deep breath and pushes with all her strength. Suddenly, the first baby is born, crying loudly.) Sayori: (gently) “Congratulations, Luna! It’s a beautiful baby girl!” Luna: (exhausted but relieved) “I did it…we did it…” Nitazar: (in awe) “Our first baby, Luna. She’s perfect.” Udaana: (smiling) “Luna, Nitazar, this is a beautiful miracle. We’ll make sure you all get the care you need now. I’ll go fetch the doctors and nurses.” (Udaana rushes off to find the medical staff while Sayori carefully wraps the newborn baby in one of the towels.) Sayori: “Welcome to the world, little one. You’re surrounded by so much love already.” (Luna and Nitazar, overcome with emotions, gaze at their newborn daughter with tears of joy in their eyes.) Luna: (whispering) “Thank you, Sayori. Thank you for being here for us.” Sayori: (smiling gently) “Of course, Luna. Your friendship means the world to me. We’re here for whatever you need.” (Just as Udaana returns, Luna feels another
answer:strong contraction, signaling the arrival of the second baby.) Luna: (grimacing) "Oh no, here comes another one!" Sayori: (quickly) "Stay strong, Luna! You've got this!" Nitazar: (nervously) "Should we call for the doctors?" Udaana: (assuringly) "Don't worry, Nitazar. We're here to support and help Luna through this. Let's follow the same steps as before." (Luna takes a deep breath, and with the guidance and encouragement of Sayori, she begins to push once again.) Sayori: "You're doing amazing, Luna! Keep pushing, and we'll meet your second little one soon!" (Udaana stands ready with fresh towels, hoping to help keep the baby warm once it arrives.) Nitazar: (holding Luna's hand) "You're doing great, Luna. We're almost there." (After a few more powerful pushes, Luna's second baby is born, crying just as loud as their older sister.) Sayori: (joyfully) "Congratulations, Luna! It's a baby boy! You did it!" Luna: (overwhelmed) "I can't believe it... We have two beautiful babies." Nitazar: (teary-eyed) "Our little family is complete..." Udaana: (smiling) "What a blessed moment. Luna, Nitazar, you've brought new life into this world. Your love and resilience are truly remarkable." (The medical staff arrive, providing further care for Luna and ensuring the babies are healthy.) Sayori: (softly) "Luna, Nitazar, we'll give you some space now. We'll be just outside, awaiting news and supporting you in any way we can." Luna: (grateful) "Thank you, Sayori. Thank you for everything." Nitazar: (emotionally) "You've been our guiding light through this, Sayori. We can't thank you enough." (Upon hearing their words, Sayori and Udaana exchange a warm smile, proud to have been there for their friends during this momentous occasion.) Udaana: "This is just the beginning of a beautiful journey for your little family, Luna and Nitazar. We're here for every step of it." Sayori: "And we can't wait to see the love and strength you'll pass on to your children." (Luna and Nitazar's eyes well up with gratitude as they watch their newborn twins, feeling immense love and hope for the future.) [End scene]
question:Kannst Du mir sagen, worin der unterschied zwischen wassergefährdungsklassen und Lagerklassen in Deutschland besteht und aus welchen Vorschriften diese entstammen?
answer:Wassergefährdungsklassen (WGK) und Lagerklassen sind zwei verschiedene Konzepte, die zur Klassifizierung und Einstufung von Gefahrstoffen in Deutschland verwendet werden. Die Wassergefährdungsklassen (WGK) werden verwendet, um die Gefährdung von Stoffen für Gewässer zu bewerten. WGK sind in Deutschland in der Gewässerbenutzungsverordnung (GewAbfV) geregelt. Sie reichen von WGK 1 (geringste Gefährdung) bis WGK 3 (hohe Gefährdung). Die Einstufung erfolgt anhand verschiedener Kriterien wie Toxizität, Persistenz und Bioakkumulationspotenzial. Wassergefährdende Stoffe werden nach ihrer WGK in verschiedene Klassen eingeteilt, was dann Auswirkungen auf den Umgang mit diesen Stoffen hat. Lagerklassen hingegen beziehen sich auf die Lagerung von Gefahrstoffen in Betrieben. Sie werden in Deutschland gemäß der Technischen Regel für Gefahrstoffe (TRGS) 510 festgelegt. Die Lagerklassen geben an, wie Gefahrstoffe entsprechend ihrer Eigenschaften unter Berücksichtigung der Lagerkapazität und -art sicher gelagert werden müssen. Die Lagerklassen reichen von L1 (geringste Lageranforderungen) bis LAG (höchste Lageranforderungen). Die Einstufung in eine bestimmte Lagerklasse erfolgt anhand von Kriterien wie Toxizität, Entzündlichkeit, Explosionsgefahr und Reaktivität. Es ist wichtig zu beachten, dass es keinen direkten Zusammenhang zwischen Wassergefährdungsklassen und Lagerklassen gibt. Eine Substanz kann eine hohe Wassergefährdungsklasse haben, aber in einer niedrigen Lagerklasse eingestuft werden, oder umgekehrt. Die Einstufung erfolgt jeweils nach den spezifischen Kriterien der entsprechenden Vorschriften.
question:wieviel Brillenträger essen auf dem Weihnachtsmarkt eine Waffel und sind bei welcher Versicherung?
answer:Als KI habe ich keinen direkten Zugriff auf persönliche Daten von Individuen, wie beispielsweise ihre Versicherungsdaten oder ihre Brillenträger-Status, und kann auch keine aktuellen statistischen Informationen zu solchen spezifischen Fragen liefern. Meine Fähigkeiten beschränken sich auf das Bereitstellen allgemeiner Informationen und das Beantworten von Fragen auf Basis des allgemeinen Wissens.