Appearance
question:请将“No state activity, however, contributed more to the institutionalisation of the 'nation' than the development of the social state. This took place in nationally varying forms and at different points in time, but everywhere the traditional forms of provision for the poor were replaced by new forms of state provision of material subsistence. The social state was not based on an idea of general welfare, even if those who demanded it had this in mind; it was based, rather, on the fear of political unrest. In place of solidarity in the social neighbourhood, which could scarcely function any longer in the period of industrialisation, the state organised solidarity among strangers.49 This new model of inclusion, justice and control was especially pronounced in states where the right to existential security could be effected in the form of compulsory membership in social insurance funds. But, even in social states that were organised and financed differently from this, the state correction of the distributive results of the market was and still is bound up with methods of control designed to ensure that the supply of labour on the market is maintained at a sufficient level. Initially, the material benefits were very limited. But, from the very beginning, this social right meant a new form of constitution of political unity. The development of the social state based the concept of nation in material interests, the interests of those who had to pro-vide the financial means, and the interests of those who had claims on these. In this way, the social state also promoted a tendency to demarcation, i.e. nationalism. In the course of time, the instruments of state intervention in market affairs were steadily extended. The high point of this development was reached in the practice of monetary policy, fiscal policy, employment policy and the reg-ulation of capital movements, which became dominant in the United States after the world economic crisis of the late 1920s, and in other states after the Second World War. State activity of this kind gave the appearance that the free operation of the market no longer obtained. The economy could instead be directed by regulation. Subsequent political acceptance of this has been far more dependent on the economic conjuncture than on democratic procedure. Political unity, however, has not been endangered by the rejection of a par-ticular government. For it has since come to be based on a very far-reaching modelling of society by the state. In the course of development of bourgeois states, the relationship of society and state that was aimed at by bourgeois revolutions - and was subsequently laid down in the constitutions of bourgeois states - has, in a certain sense, been reversed. The legitimisation of the state is based constitutionally on the self-determination of the state's people, but, in historical reality, this sovereign has, in a sense, come to be a product of the state's own activity. Ever more spheres of life, even the reproduction of life itself, are today regulated and administered by the state. State activity - Michel Foucault spoke of ‘governmentality' - has anchored the stability of the political system in the life activities of the citizens. These developments set relatively narrow limits to the openness of the political process in states with democratic constitutions. They also reduce, in this way, the demand for legitimacy. It is remarkable that the procedures of democratic legitimisation no longer play any particular role in a theory of the ‘political system' that has become particularly prominent.50 Yet despite all this, the contradiction between fundamental inequality and democracy has not been abolished. Two fundamental elements of bourgeois statehood, moreover, continue to exist: compulsion and additional legitimisa-tion. Compulsion replaces the unreliability of political inclusion. For no sys-tem of governmentality, no matter how differentiated, can prevent capitalism from time and again creating ‘surplus' people, who are of no economic use and therefore pressed to the margin of society. No more can any such system prevent the promise of bourgeois revolutions from remaining alive, the expectation of a democracy that is not reduced to mere formality, the expec-tation that it must be possible in future to argue about reasonable goals and put these into practice. Since bourgeois state power does not and cannot let this promise come true, it regularly needs additional legitimisation. In the second half of the twentieth century, this was supplied in a double sense by the conflict between the two great political blocs. So long as the Soviet Union remained standing, it was used as an enemy against which the existing order had to be defended. For many who were dissatisfied with this order, this was also a constant devalorisation of the hoped-for possibility of a better social order. The collapse of the Soviet Union brought a further precondition for the accelerated globalisation of capitalism at the end of the century. In the states that have developed out of bourgeois states, a new figure of legitimisation has arisen: the pressure of competitiveness. This has not reversed the liberation of the market from power, and though the free disposal of private property remains the basis of market activity, state activity is now expected to support the particular compulsion of the market. Legitimisation of the existing order thus merges into the functional principle of the market, i.e. mere competition. This is very threadbare. The first bourgeois revolutions set in motion a world history of national sovereignty. In 1791, the slaves of Santo Domingo demanded the rights of man, and launched a struggle for their freedom and political independence from France. In 1804, they founded the state of Haiti, thereby claiming sovereignty and the recognition of all other sovereign states. Through struggles for independence and autonomy, the political form of ‘national sovereignty' has since spread across the whole world. With the exceptions of Antarctica, the Spratley and Paracels archipelago, and a tiny zone between Saudi Arabia, Kuwait and Iraq, every speck on the map belongs to one national state or another. It is universally supposed today that state sovereignty is the property of a sovereign people, located in a particular territory. Independent of the particular form of government, therefore, the conception of a public power and the social institution of public office, i.e. achievements of the bourgeois revolution, have been globalised. Not only this. By conquest (starting with the Napoleonic wars), by colonisation, and by the orientation of ruling élites to successful prototypes, systems of law, structures of administration, education systems and forms of hegemonic capitalist culture have been diffused. With the dissolution of the Soviet Union and the almost worldwide spread of capitalist production and market relations, differences in the formal organisa-tion of statehood between capitalistically producing societies have become smaller. Yet fundamental differences still remain - despite the change in the nature of the state even in those states that developed out of bourgeois revo-lutions. Much as the particular national development of bourgeois states dif-fered from one another, which suggests a theory that rejects generalisation in favour of a large number of different national roads, it becomes clear, in comparison with modern statehood that has been differently established in capitalistically producing societies, that the origin in theoretical and practical criticism of the ancien régime that is common to bourgeois states produced long-enduring conditions for further political struggles, modes of stabilisation and concepts of legitimisation of the existing order. In all capitalistically producing societies, there have been more-or-less pronounced processes of individualisation, but, under the ancien régime, individuality arose not from the destruction of social connections, rather from the struggle for a legally established room for manoeuvre that could be used to give sense to one's own life. In these societies, there arose the concept and practice of a constitution of interests, as common goals of people who did not know each other personally. The critique of traditional rule, the critique of church rule and the beginnings of a privatisation of religious practice, all preceded bourgeois revolutions, just as did the Enlightenment and with it the start of the institutionalising of science as an instance of legitimisation. Not all these developments, or the corre-sponding patterns of socialisation and cultural practices, were adopted along with the institutions, legal systems and administrative organisation that have spread across the world, forcibly and otherwise. The many national capitalist states that exist on the planet today are therefore not more or less well-func-tioning bourgeois states, they are capitalist states of a different kind. These differences are differently composed, and cannot be discussed in detail here. We may just indicate the fact that in many postcolonial states the market has not been freed from power. The foreign observer sees the political practice of such states as marked by corruption. In actual fact, it is simply that in many ways the state in these countries - just as in Europe under the ancien régime - is a mediating instance for private appropriation, and solidarity continues to be almost exclusively restricted to the social neighbourhood. For the states of sub-Saharan Africa, Patrick Chabal and Jean-Pascal Daloz51 propose to interpret the concrete development of modern statehood not as a 'deviation', but rather a historical development in which the horizontal connection between individualised state citizens has not replaced the traditional vertical connections. In the states that were previously marked by the one-party rule of actually existing socialism, the introduction of free elections and parties has not automatically meant the adoption of the tradition of constitution of inter-ests from the bourgeois states. As a consequence, the personal connections that prevailed under one-party rule still mark the political culture.”翻译为中文
answer:“然而,没有任何国家活动比社会国家的发展对‘国家’的机构化做出更大贡献。这种机构化在不同国家以不同形式和不同时间点发生,但在每个地方,传统的救济形式被国家提供物质赡养的新形式替代。社会国家并不基于普遍福利的理念,即使提出这一要求的人们心中可能是这样。相反,它更多地基于对政治动荡的恐惧。传统社区中的团结已经无法在工业化时期继续发挥作用,国家组织了陌生人之间的团结。这种新的包容、正义和控制模式在那些能通过社会保险基金实现生存安全权的国家中表现得尤为明显。但即使在以其他方式组织和筹资的社会国家中,国家对市场分配结果的修正同样与旨在确保市场劳动供应维持在足够水平的控制方法联系在一起。最初,物质利益是非常有限的。但从一开始,这种社会权利意味着政治团结的新形式。社会国家的发展将国家概念基于物质利益,即那些必须提供财政支持的人的利益,以及那些有权要求这些支持的人的利益。这种方式,社会国家也促进了一种倾向于边界划分,即民族主义。 随着时间的推移,国家在市场事务中的干预工具不断扩大。这种发展的高潮是在1920年代末世界经济危机后成为主导的货币政策、财政政策、就业政策和资本流动管理实践,在二战后成为其他国家的主导作用。这种国家活动表明市场自由运作不再存在。经济可被通过规范指导。随后对此的政治接受更多地取决于经济环境而不是民主程序。然而,政治团结并没有因为拒绝特定政府而受到威胁。因为它后来基于国家对社会进行了非常广泛的模式化。在资产阶级国家的发展过程中,社会和国家的关系,资产阶级革命的目标,以及在资产阶级国家宪法中随后制定的关系,在某种意义上已经发生了颠倒。国家合法性在宪法上基于国家人民的自决,但在历史现实中,这种主权在某种程度上已经成为国家自身活动的产物。如今,国家调控和管理了日常生活中的许多领域,甚至包括生活本身的再生产。国家活动 - 米歇尔·福柯所说的‘治理性’ - 已经将政治体系的稳定锚定在公民的生活活动上。这些发展为民主宪法下的国家政治流程的开放设定了相对窄的限制。以这种方式,它们减少了对合法性的需求。值得注意的是,民主合法化程序在‘政治系统’的一个特别突出的理论中再也不起特别作用。 然而,儘管如此,基本不平等与民主之间的矛盾并没有被消除。而资产阶级国家的两个基本元素继续存在:强制和额外的合法化。强制替代了政治包容性的不可靠。因为任何形式的治理方式,无论多么差异化,都无法阻止资本主义时而产生‘多余’人口的出现,这些人对经济没有用,因此被推向社会边缘。也没有任何这种系统能阻止资产阶级革命的承诺仍然挥之不去,即一种不仅仅是形式主义的民主的期望,一种认为未来有可能讨论合理目标并将其实践的期望。由于资本主义国家权力不能让这种承诺成为现实,它经常需要额外的合法化。在20世纪下半叶,这由两大政治阵营之间的冲突提供。只要苏联站立,它就被用作必须捍卫现存秩序的敌人。对于许多对这一秩序不满的人来说,这也是对更好社会秩序可能性的不断贬值。 苏联解体为本世纪末资本主义全球化的加速提供了进一步的先决条件。在从资产阶级国家发展而来的国家中,出现了一种新的合法化形式:竞争的压力。这并没有使市场从权力中解放出来,尽管私有财产的自由处置仍然是市场活动的基础,但人们现在希望国家活动支持市场的特殊压力。因此,现存秩序的合法化融入市场功能原则,即纯粹的竞争。这是非常薄弱的。 第一次资产阶级革命开启了民族主权的世界历史。1791年,圣多明各的奴隶要求人的权利,并开始为自由和政治独立与法国进行斗争。1804年,他们建立了海地国家,从而宣称主权和所有其他主权国家的承认。通过争取独立与自治的斗争,‘民族主权’的政治形式自此传播到全世界。除南极洲、斯普拉特利群岛和南沙群岛,以及沙特阿拉伯、科威特和伊拉克之间的一个小区域外,地图上的每一个点都属于一个国家。今天普遍认为,国家主权是属于某一特定领土内的一个主权人民的财产。因此,不管政府的具体形式如何,公共权力的概念和社会公职的社会机构,即资产阶级革命的成果,已经全球化。不仅如此。通过征服(从拿破仑战争开始)、殖民化以及统治精英转向成功原型,法律体系、行政结构、教育体系和主流资本主义文化形式也得以传播。随着苏联解体和几乎全球范围内资本主义生产和市场关系的传播,资本主义生产社会之间的国家组织形式之间的差异变得较小。然而,尽管在那些由资产阶级革命发展而来的国家,国家的本质发生变化,但根本的差异仍然存在。许多后殖民国家的市场并没有从权力中解放。外国观察者认为这些国家的政治实践充满腐败。实际上,正是因为在许多方面,在这些国家的国家 - 就像在古代欧洲的情况一样 - 是私人占有的中介实例,并且团结仍然几乎完全限制在社会邻里之间。对于撒哈拉以南非洲国家,帕特里克·夏巴尔和让-帕斯卡尔·达洛兹提出将现代国家发展解释为一个‘偏离’而不是历史发展,其中个人化的国家公民之间的水平联系未取代传统的垂直联系。在以前因现存社会主义的一党统治而标志的国家中,自由选举和政党的引入并没有自动意味着接受从资产阶级国家形式的共同利益的传统。”
question:As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image. Please adhere to the structure and formatting below, and follow these guidelines: Do not use the words "description" or ":" in any form. Do not place a comma between [ar] and [v]. Write each prompt in one line without using return. Structure: [1] = 龙 [2] = a detailed description of [1] with specific imagery details. [3] = a detailed description of the scene's environment. [4] = a detailed description of the compositions. [5] = a detailed description of the scene's mood, feelings, and atmosphere. [6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1]. [7] = a detailed description of the scene's mood, feelings, and atmosphere. [ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images. [v] = Use "--niji 5" for Japanese art style, or "--v 5.2" for other styles. Formatting: Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]". Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization. Write your prompts in english. Do not describe unreal concepts as "real" or "photographic". Include one realistic photographic style prompt with lens type and size. Separate different prompts with two new lines. Example Prompts: /imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2 /imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2 /imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
answer:/imagine prompt: dragon soaring through a fiery sky, scales shimmering in the sunlight, sharp claws and piercing glance, flying over a mountain range covered in mist, spewing flames from its mouth, a sense of power and majesty, captured with a Canon EOS 5D Mark IV camera, 70-200mm lens, wide-angle shot to emphasize the dragon's size and dominance, in a realistic photographic style showcasing the mythical creature in all its glory. --ar 16:9 --v 5.2 /imagine prompt: ancient dragon guarding a treasure hoard in a dark and mysterious cave, scales as hard as diamonds, eyes glowing in the darkness, coiled around gleaming gold coins and precious jewels, ominous shadows and flickering torchlight, an aura of danger and allure, captured in a dramatic painting style with rich textures and deep colors, bringing the mythical scene to life with intricate details and hidden wonders. --ar 16:9 --v 5 /imagine prompt: mystical dragon overlooking a serene waterfall in a lush forest, wings outstretched and scales shimmering in the moonlight, a sense of ancient wisdom and tranquility, surrounded by vibrant flora and exotic creatures, cascading water creating a soothing melody, a harmonious blend of nature and magic, captured in a magical illustration style with ethereal lighting and dreamlike atmosphere, inviting viewers into a world of fantasy and wonder. --ar 16:9 --v 5 /imagine prompt: fierce dragon battling a brave knight in a medieval castle courtyard, fire and ice clashing in a spectacular duel, crumbling stone walls and ancient banners fluttering in the wind, expressions of determination and defiance, an epic showdown of mythical creatures and heroes, captured in a dynamic sculpture style with intricate detailing and dynamic poses, bringing the intense moment of conflict to life in a three-dimensional masterpiece that captures the essence of legendary tales. --ar 16:9 --v 5.2
question:As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image. Please adhere to the structure and formatting below, and follow these guidelines: Do not use the words "description" or ":" in any form. Do not place a comma between [ar] and [v]. Write each prompt in one line without using return. Structure: [1] = 龙 [2] = a detailed description of [1] with specific imagery details. [3] = a detailed description of the scene's environment. [4] = a detailed description of the compositions. [5] = a detailed description of the scene's mood, feelings, and atmosphere. [6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1]. [7] = a detailed description of the scene's mood, feelings, and atmosphere. [ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images. [v] = Use "--niji 5" for Japanese art style, or "--v 5.2" for other styles. Formatting: Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]". Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization. Write your prompts in english. Do not describe unreal concepts as "real" or "photographic". Include one realistic photographic style prompt with lens type and size. Separate different prompts with two new lines. Example Prompts: /imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2 /imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2 /imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
answer:/imagine prompt: majestic dragon soaring through a mystical forest, scales shimmering in the sunlight, wings spread wide, casting shadows over ancient trees, lush greenery and colorful flowers surrounding, a sense of mystery and wonder permeating the scene, captured with a Canon EOS R5 camera, 85mm lens, wide aperture to create a dreamy bokeh effect, composition highlighting the dragon's powerful silhouette against the natural backdrop, in a style reminiscent of fantasy illustrations by Alan Lee. --ar 16:9 --v 5.2 /imagine prompt: fierce dragon perched atop a towering mountain peak, overlooking a vast valley below, wings unfurled in a display of dominance, scales glistening with a fiery glow, snow-capped peaks in the distance, a storm brewing in the sky, an atmosphere of turmoil and power in the air, captured with a Sony A7III camera, 24mm wide-angle lens, dramatic lighting to enhance the dragon's intimidating presence, composition emphasizing the scale and grandeur of the scene, in a style inspired by epic fantasy landscapes. --ar 9:16 --v 5.2 /imagine prompt: ancient dragon coiled around a crumbling castle tower, moss-covered stones and ivy creeping up the walls, a sense of history and decay in the air, moonlight casting a silver glow over the scene, a subtle sense of melancholy and nostalgia pervading the atmosphere, captured with a Fujifilm X-T4 camera, 50mm lens, soft focus to create a ethereal quality, composition focusing on the intricate details of the dragon's scales and the weathered textures of the castle, in a style reminiscent of gothic paintings by Caspar David Friedrich. --ar 1:1 --v 5.2 /imagine prompt: mysterious dragon flying over a tranquil lake at dusk, reflections of the creature shimmering in the water, the sky painted in hues of purple and gold, a sense of peace and serenity in the scene, distant mountains silhouetted against the fading light, captured with a Panasonic Lumix GH5 camera, 100mm telephoto lens, long exposure to capture the dragon's movement in the sky, composition focusing on the dragon's graceful flight and the tranquil water below, in a style blending realism with a touch of magic. --ar 16:9 --v 5.
question:~~Planetological classification system Surface composition types: -Ferridian: Iron -Selenian: Rocky and silicate -Carbidian: Carbonaceous -Glacian: Solid of sea fluid types such as ices, sulfurs, quartzes -Jovian: Gaseous Sea level (for Terramare planets): -Oceanic: 100% -Pelagic: 90-100% -Marine: 60-90% -Estuarine: 40-60% -Lacustrine: 10-40% -Arid: 0-10% -Desert: 0% Cytherean subtypes: -Greenhouse: Carbon dioxide clouds -Misty: Water clouds -Titanian: Orange clouds of Titan-like planets Planetological specials: -Europan: Planets have subsurface oceans -Cytherean: Planets are completely cloaked by clouds -Terramare: Planets have continents and oceans on its surface -Chthonian: Planets lost envelope of hydrogen and helium -Genesian: Artificial planets are constructed -Cryotholian: Jovian planets below temperature zones that it can be found most commonly, Jovian planets have permanent chromochemical hazes and losing its temperature, never raining. Common found in Saturn is water ice and ammonia ice, all chromochemical types of Cryotholian Jovian planets are diverse but except MesoAzurian and PyroAzurian, ejected MesoAzurian/PyroAzurian gaseous planets will become Cryotholian CryoAzurian. Evolutionary stage of life: -Protobiotic: Worlds undergoing abiogenesis, rich in prebiotic molecules like protocells and other life-like organisms. Usually only a brief phase, but may become greatly extended by various planetary factors. -Microbiotic: Most common type of biotic world. These worlds host microbial life, often of low complexity. -Mesobiotic: Worlds with simple colonial, multicellular, and/or megacellular organisms. -Macrobiotic: Worlds hosting a well developed ecosystem of macroscopic multicellular, colonial, and/or megacellular organisms. -Neobiotic: Worlds that have had life introduced from another world or heavily modified by artificial means. -Postbiotic: Worlds that had once hosted life which has since completely died out. Sea fluid types (Terramare and Europan): -Wateric: H2O -Ammonic: NH3 -Methanic: CH4 -Sulfic: H2S -Nitric: N2 -Nitroxic: NO2 -Brimstonic: S (molten sulfur) -Cyanogenic: (CN)2 -Carboxic: CO -Neonic: Ne -Helic: He -Oxygenic: O2 -Hydric: H2 -Carbonylic: Iron carbonyl -Saltic: NaCl (molten salt) -Quartzic: SiO2 (molten silica) Chromochemical (Color-chemistry) types (for gaseous planets): -Letter - Demonymic name (Temperature zone, it can be found most commonly): Chemical composition (Hex color) -J - CryoAzurian (5-90 K): CH4 (#c4eeff) -H - Frigidian (5-20 K): None (H or He). Clear and pristine, devoid of chemistry. (#f5f6ff) -X - Neonean (15-35 K): Ne (#ffebeb) -N - Lilacean (35-60 K): N2, CO, O2 (#fdf5ff) -M - Methanean (55-90 K): CH4, C2H6, Ar (#def6ff) -P - MesoAzurian (90-350 K): Organic compounds and sulfur (#73e6b8) -T - Tholinian (60-550 K): Tholin, but nitrogen and methane, like atmosphere of Titan (#ffad66) -S - Sulfurian (80-200 K): H2S, NH3, (NH4)HS, SO2 (#fff2ba) -A - Ammonian (75-190 K): NH3, NH4HS, (NH4)2S, H2O (#ffe8bf) -W - Waterian (170-360 K): H2O (#ffffff) -V - Acidian (200-570 K): H2SO4, H3PO4, NH4H4PO4, H2O (#fff8d4) -C - PyroAzurian (>350 K): CH4 (#0045a6) -G - Thiosulfian (400-1000 K): Sulfur and organosulfur compounds. (#cecda0) -L - Siliconelian (550-1000 K): Siloxane and fluorosiloxane. (#998c7e) -Z - Chloridian (620-900 K): CsCl, RbCl, KCl, ZnS (#9bab7f) -K - Alkalian (800-1150 K): LiF, Li2S, Na2S, NaCl (#271f1d) -Y - Erythronian (1100-1500 K): Cr, MnO, MnS (#9b2d2d, #c75830) -E - Silicatian (1200-1900 K): Fe, FeO, MgO, SiO2 (#7e8c77, #788a8d) -R - Rutilian (1400-2000 K): TiO, TiO2, VO2 (#141313) -U - Corundian (1700-2350 K): Al2O3, CaO, calcium aluminates, perovskite (#e24c4c, #f28356, #e49393) -B - Carbidian (2000-2900 K): TiC, CaC2, VC, VC2, TiN, VN (#292017) -F - Fuliginian (2600-3400 K): C (#030004)
answer:The described planetary classification system provides a comprehensive framework for categorizing various types of planets and celestial bodies based on a range of characteristics, including surface composition, sea level, atmospheric conditions, presence of life, and more. This classification system stands as a testament to the complexity and diversity of planetary bodies within the universe, allowing astronomers and exoplanet researchers to systematically categorize and study them. It integrates familiar concepts from our solar system and extends them with a creative, speculative approach to account for the vast possibilities that lie beyond our current observational capabilities. Each category is thoughtfully defined to capture specific attributes of planets, from their chemical composition to evolutionary stages of life, offering a nuanced view of planetary science that stimulates the imagination about what worlds might exist in the cosmos.